GreenPitchMusic

Bad thing happens. It is such like annoying late night phone calls from unknown cell phone number. It will be much disturbed when it began to terrorize you or your loved ones. That jackass needs to learn some lesson about good manner and even you want to sue that jackass for its annoyance. You want to make a reverse cell phone lookup to find out whose that cell phone number belong to.

Reverse cell phone lookup could give you detailed information on a particular cell phone number. But of course, you can’t ask cell phone carrier to give you the information unless you are a law enforcement officer with a warrant from the court. Cell phone carrier would protect their customer private information and this privacy concern is protected by the law. If you want to do reverse cell phone lookup, you don’t need to hire a private detective of file a criminal case. You can easily use online reverse cell phone lookup service. There are many companies offering such online services. You can easily search any cell phone number and ask for your desired details. Off course you will be charged with fees and it varies depend on how much and how precise the information you want.

What reverse cell phone lookup service offers is their directory of cell phone number and search service. Most reverse cell phone lookup service invests lots of money on their database. They build it from many different resources both private and public resources. Even some services could offer you access to restricted database. When you want to do reverse cell phone lookup, you need to be sure that you will get trusted directory to make you sure that you will get precise information. Now you can find out who that jackass is and give his some lesson to learn.

Here at Hard to Find Records we know that not everyone is a master DJ – but with practice you could be. It takes a lot of work to pick up the skills you’ll need to be a really talented spin doctor but if that is your dream and you pursue it relentlessly then you can achieve it. One thing that determination and will power alone can’t get you is DJ Equipment, but that is where we can help.

Our range of kit caters for DJs with years of experience and residencies in top clubs, but also for budding musical youths with aspirations of greatness. For such youngsters we have some essential kit that will help you kick off a career in DJing. Check out our selection of turntables from brands such as Ion, Numark and Soundlab. We also have superior mixers and handy gadgets like the Vinyl File Mark II which helps you calculate the BPM of the track you’re playing so you can do a smooth mix into the next record.

Have a look at the essential DJ Equipment on the site begin your musical career!

Hardly anybody in the music business understands that the old formula of how to successfully promote a new act is obsolete. The record companies are all aware that there is a big problem but they have no idea what the solution is. What they do understand is that they are unable to recoup their investment in studio time with a good producer, the cost of a good video, the advertising budget, and the cost of the first promotional road tour from the profits on a first hit CD.

An act must be capable of repeating and sustaining their initial success in the studio in order for a record company to make a profit because the necessary investment has increased dramatically. Ever since the mid 1990’s the record companies have become painfully aware that there are no acts containing songwriters who can keep on writing more hit songs. All the new acts since the mid 1990’s have one, two, maybe three good songs at the most, and any person who’s purchased a CD since that time will testify to that. The record companies also know that MP3 downloading on the internet is a factor that has negatively affected their profits.

Put that together with their inability to find sustainable new acts and you have the two main reasons why so many record companies are losing money. The ones that are not losing money are the ones that have a library of popular artists from the past who continue to sell. The record companies now understand that the internet is the new communications medium, it’s here to stay, and they are all trying to figure out how to take advantage of it. Their pattern has always been to watch the numbers, analyze the trends, and then try to jump on board and ride the wave for as long as it lasts. If I told them what the answer is to the problems they face, they simply wouldn’t know what to do with the information.

The new formula for success is to have the right factors in place first, and then to use the internet’s full potential to bring the artist to the attention of the entire world.

Step 1: In order to create a hit record it is necessary to have a hit song. So what is a hit song? It’s a song that is so blasted catchy that after hearing it one time people cannot get it out of their minds and they will spend money to own the CD. The best producer cannot produce a hit record without having that kind of raw material. My old friend Gary Kelgren said it best – “You can’t polish a turd”.

Step 2: In order to create a hit music artist on the internet, of course it is necessary to have one or more hit songs that have been properly produced, but it is also necessary to have a “hit web site”. So what is a hit web site? Obviously it’s one with thousands of “hits” per day but that’s not the point. The point is that in the same way that a hit song works for a listener, a web site must grab a net surfer’s interest within the first 5-10 seconds and hold their interest long enough for them to find the hit songs and listen to them. But it should also contain entertaining content for people to read and enjoy because a good web site is a much more complex form of entertainment. The best web sites are the ones that have great creative writing and cannot be digested in one sitting, so people will keep coming back for more entertainment. This kind of web site cannot possibly be designed by a web site design professional because real creative and entertaining writing is not for sale at any price. That means the successful artist of the future needs to be more than just a musician in order to take full advantage of the new medium because the web site needs to reflect the artist’s personal expression, and nobody can do that except the artist.

Step 3: Creative internet promotion. The new formula for success may not even require an advertising budget for proper promotion of the web site in order to achieve thousands of hits per day if the promotion is creative enough. But the two previous steps are absolute prerequisites for success in the new medium. A money-losing promotional road tour will be pointless and unnecessary until a large audience is developed by building an internet fan club and selling enough CD’s to warrant a road tour that will turn a profit.

The new formula also contains the potential for making the old costly distribution networks obsolete because purchasing directly over the internet could eliminate the necessity for retail mark-ups and thus maximize profits for all concerned. The Recording Industry Association of America has the correct statistics on what music is actually selling as opposed to what is being played on the radio and what the record companies are trying to market. They list The Beatles as the best selling act/artist of all time with 166.5 million albums sold in the USA alone. They list Elvis second with 117.5 million units sold, Led Zeppelin third with 106 million units sold, and the top 25 are dominated by classic rock acts including The Doors, The Stones, Pink Floyd, The Eagles and many others.

I think it’s very significant that those statistics are becoming geometrically times greater than the number of albums that they sold during their performance lifetimes. What has happened and is happening is that the young people of today are discovering them in droves and buying their music. Traditionally, the record buying public has always been young people between the ages of 12-25 and those demographics have not changed. What this means is that the potential for profit in new classic rock and roll music is beyond calculation.

Bass drum creep does NOT refer to the scary guy with the bass drum, it’s the term used to describe the frustrating situation when your kick drum starts sliding further and further away from you with each stroke of your bass drum pedal.

Setting up your kit on a good thick rug or a carpet that the spikes at the end of your bass drum legs can sink their teeth into will generally help keep bass drum creep at bay. (If your bass drum legs don’t have spikes, replace them with ones that do. Any decent drum shop will carry replacement bass drum legs at a reasonable price.)

Make sure your carpet is large enough to fit your whole kit, including your throne. The weight of your body on the throne will help keep the bass drum from sliding away with the whole carpet.
Adjust the bass drum legs so that the front of the drum is an inch or two off the ground and the drum is resting at a slight angle. This shifts more of the drums weight onto the legs themselves and helps the spikes dig in more effectively, which should put an end to most bass drum creep problems.

Sometimes, especially for those of us kicking the drum pretty hard in loud situations, setting up on a carpet is just not enough!

Here is an additional little trick that will END bass drum creep problems.

Take a three foot long 2”x4” piece of wood. Some nice fabric glued around it to make it look pretty, provide some protection to the drums, and prevent splinters. Now mark your carpet where you want the front of your bass drum to sit. Drill three quarter inch diameter holes through the wood – one hole in the middle and one near each end.

Using some nice, big, 2 inch washers and 1/4 inch thick bolts – actually bolt the wood to your carpet at the front edge of your bass drum. Make sure to put the flattest part of the bolt on the under side of the carpet so that your carpet still lays pretty flat. I also like to put a layer or two of gaffer’s tape over the end of the bolt so that it does not scratch up any nice wooden floors that happen to be underneath the carpet.

Now when you set up just slide the front of the bass drum right up against the piece of wood you have bolted to the carpet, and it will not slide any further!

It works best if you get the wood wide enough that the legs themselves actually bump up against the wood block although it will work fine with the rim of the drum against the wood block – just be sure to cover the wood with foam or thick fabric to prevent the wood from damaging the rim and lugs of your drum!

Let me know how well it works for you.

Knowing how to choose the right guitar and how to identify a bad one, will save you from countless headaches, not to mention finger aches. Acoustic guitar bodies come in basically the same hourglass shape, with some variations, but they do vary in size, color, wood-type, style, and extra features. You can even buy an acoustic guitar so small that fits into a hiking backpack.

Guitars come in a very wide range of prices, but when it comes to instruments, in general, you get what you pay for, especially when you buy new. There’s a real difference between getting a bargain and buying cheap. But whether you buy new or used may be determined by many personal factors including your budget, and each has their own pros and cons.

Buying new, gives you a warranty and, hopefully, a return period, if for some reason you’re not totally satisfied with your purchase, or something goes wrong. Under ‘usual’ circumstances, a used guitar can usually be purchased cheaper and has already gone through its “break-in” period.

Commercially built guitars are usually mass manufactured. “Custom-made” guitars are exactly that. They are custom built and tailored to your specifications by a highly skilled guitar maker. Prices for a custom-built guitar vary considerably, depending on the skill level of the craftsperson you contract the job to, but, as a rule, they are generally quite higher than a commercially built guitar of “similar” quality. Each custom built guitar is unique and therefore hard to compare in price to a commercially built guitar.

FOR THE “TECHIES”

Understanding some of the parts of a guitar will definitely help you when it comes to the Pre-Purchase Checklist.

BODY: This is the part with the sound hole in the front. It is where the strumming is done, and it can vary in size. The actual size, shape, type of wood, coating, and general build of the body also affects how the guitar will “sound”, whether it’s a rich and warm sound, or a thin and ‘twangy’ sound. The body tends to be the part that also gets scratched, damaged, and generally banged-up the most.

NECK: This is the long piece extending from the body and ends at the ‘head’ of the guitar where the ‘Tuning Heads’ are, also known as ‘machine heads’. The strings travel from the ‘Bridge’ on the body, across the sound hole, along the ‘Fret Board’, which is attached to the front-side of the neck, and finally arriving at the tuning heads where they are wrapped around tuning posts. The tuning heads are then turned by hand, which then turns the posts, making the strings tighter or looser, thus affecting their ‘tuning’. Necks tend to warp and twist if not looked after, or if the guitar is left propped against a heat source.

BRIDGE: The Bridge is normally located on the front of the body, by the sound hole, and on the side of the hole opposite to the neck. The strings are usually fed through the bridge first before they cross the hole and travel up the neck to the tuning heads. The bridge is like an anchor-point for the strings. Metal bridges are best, but on most acoustics they are either hard plastic or wood. Bridges have a tendency to crack and split over a long period of time.

FRET BOARD: The fret board is glued to the front of the neck. This is the part you press the strings onto to make chords or play individual notes. Because it’s glued on separately, a fret board can be made of a wood that’s different from the neck.

The strings travel over the fret board and the distance they are above the fret board makes a difference to the playability of the guitar. If the strings are too far above the fret board, then they will be hard to press down, making the guitar hard to play.

When a beginner plays a guitar, initially his or her fingertips are very soft and need to be hardened. A guitar with the strings too far above the fret board, also known as having a ‘high action’, will cause the player’s fingers to hurt so much that they are likely to put the guitar away in discouragement and possibly stop playing altogether.

STRINGS: Acoustic guitar strings, come in a wide variety of ‘flavors’. They can be made out of nylon, brass, steel, or a combination. Nylon strings are usually only found on Classical guitars and Student guitars, because they’re easier on the fingertips. They have a rich, warm sound to them.

Strings sets come in different ‘weights’, or sizes. Strings that come from a package marked ‘Heavy’ are usually quite thick in size and sound “beefy”. Strings that are light, or extra light, are very thin and usually have a brighter sound to them, but are also quieter sounding than heavy strings.

String choices are purely personal taste. Light strings are easier to press than heavy strings but also sound quite different. The more often strings are played, the dirtier they get. If a cloth isn’t run over and under them, from time to time, the sound becomes very dull

THE PRE-PURCHASE CHECKLIST

- Before you buy a used guitar, cost-compare against the price of a new one, unless the guitar is quite old. You could also compare its used price to other used prices by going to an online auction and either searching for the same or a similar guitar.
- Check the overall condition of the wood for cracks, scratches, splits, dents, chips, etc.
- Also check the lacquer finish for cracks and splits.
- Check the neck/fret board for warping and twisting. You can do this by holding the guitar flat on its back, with the sound hole facing upward. Bring the guitar up to eye-level, with the neck running away from you and the edge of the body almost touching your face. Let your eyesight skim across the front of the body and down the fret board. You should be able to see if the neck is twisted or bowing.
- Tune the guitar, or have the seller tune it for you.
- If you know how to play about five or six chords then play them. If you don’t know how to play, ask the seller to play them for you. This check ensures that the neck of the guitar is not warped, even though you couldn’t physically see it. If the neck is warped, and the guitar is properly tuned, then some of the chords will sound good, but others will sound as though the guitar is not tuned. If this happens, check the tuning again. If it persists, then don’t buy the guitar.
- Check the bridge of the guitar. If it’s made out of wood or plastic, make sure it’s not cracked or splitting. The bridge needs to be rock-solid, as a lot of pressure is exerted on the bridge by the strings.
- Check the tuning heads. Do they turn easily, or are they very stiff and hard to turn. Even with the high tension of the strings, a quality guitar will have tuning heads that are fairly easy to turn.
- Check the ‘action’ of the guitar. Are the strings a fair distance from the fret board? Are they easy or hard to press down at various points on the fret board?
- If you are buying the guitar for yourself, and you know how to play, even if you’re a beginner, then play the guitar.
- How does it feel?
- Is it easy or hard to play?
- Can you fit your hand around the neck/fret board comfortably to play chords?
- Is the guitar a comfortable size and shape for your body? Is it easy to hold?
- If you plan to play standing up, ask for a guitar strap.
- Do you like the sound, the color, etc?
- If you don’t play, have someone else play it for you so that you can judge what it sounds like.

WHERE TO BUY

Buying a guitar from a physical retail music store allows you to ‘test drive’ the guitar and ask more questions up front. Buying online or from a catalog may bring you more cash savings.

No matter where you buy your guitar, if you know what to look for, and spend a little extra effort in your search for that ‘perfect’ guitar, not only will your fingers thank you, but also your ears, and all those who will come to join you around the campfire, or even go to see you in concert. Who knows?